“[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes “Awww!” 

Jack Kerouac, On the Road

 

 

The idea of finding like minded people has been around in one shape or form since the dawn of time I suspect. “Don’t listen to them mate. Whilst your Bison is undoubtedly abstract it does have a certain etherial quality. I like it”.

 

“Find the others”, is a quote attributed to counter-culture royalty Timothy Leary. 

The basic tenant of the idea being that all those waifs and strays sitting alone and furlorne in their bedsit can find others to share in their existential misery. Think Morrissey.

 

This is an ethos we at Store Corner Records are keen to adopt. If you are mad for all the things listed above by Kerouac then you’ve come to the right place. 

Services

Recording Studio

Professional recording studio service with a selection of industry standard equipment and a qualified audio engineer who also has many years production experience behind him

Mixing and Mastering

Enhance your tracks with our mixing and mastering service. Deliver polished music ready for distribution.

Art and Design

Unique and eye-catching album artwork and design. Stand out with visuals that reflect your music.

Frequently Asked Questions

What services do you offer?

We offer recording studio services, mixing and mastering, and art and design expertise.

How long does the recording process take?

The recording process timeline varies depending on the project scope, but we work efficiently to meet your deadlines.

Can I preview my artwork before finalizing it?

Yes, we provide previews and revisions to ensure your artwork meets your expectations.

Contact us

Have a question or want to book a session? Fill out the form below.

About us

 

The cry goes up, “Why launch a record label in the era of digital downloads and streaming. The answer is quite simple, precisely because the music industry is dominated by digital downloads and streaming.

So the question is, can we party like it’s pre 1999? That was the year Napster was launched, widely considered to be the first steaming platform. The platform was eventually shut down, due to legal issues, in 2001. At that point other services raised their head above the parapet, including Rhapsody, a subscription based model. Then in 2003 iTunes was launched, providing legal downloads of a wide range of music. We now come to a watershed moment, when in 2008 Spotify was launched. These developments gave musicians a way into the music industry which bypassed the traditional model of music production and distribution. What a revelatory and liberating time to be a musician right?

Music had always been produced, distributed and licensed by third parties, who consistently sucked in and ripped off unsuspecting and painfully naive musicians with contracts where the small print could only be seen by using the very latest thing in microscopes. In the process becoming very rich indeed. Then on January 28th 1977 a group of young Manchester lads, fuelled by a Pistols gig in the city’s Free Trade Hall in 1976, were inspired to start a band with the frankly crazy idea of releasing a single of their own backs. The result of this was Buzzcocks’ Spiral Scratch, essentially the first truly independent record release. A David and Goliath moment which still resonates to this day. 

This lead directly to the creation of independent labels whose legend is still spoken about with hushed reverence and misty eyed nostalgia to this day.  I give you, Rough Trade, Stiff, Postcard et al. 

We at Store Corner Records are looking to take a back to basics approach based on these legendary labels. There was a time when said labels would load crates of vinyl into a Morris Minor and go round the UK visiting record stores lugging their wares with them. Or accosting DJ’s in the street, as in the case of Alan Horne (Postcard’s maverick supremo) who approached John Peel outside the BBC’s Maida Vale studios urging him to stop playing the shite he was spinning and play Orange Juice instead. Peel being Peel, rather than take offence at this Glaswegian assault did actually play the single in question. 

Whilst we are not naive enough to imagine we can totally circumvent the streaming giants, we do feel that we can at least go some way to giving a degree of control back to working musicians and ensuring they are paid a fair price for their art. Everyone involved at the label has many years of experience in the music industry and we feel well qualified to guide bands through the minefield that is the current music industry.

Above all, find the others and CREATE!

 

Kirk Maxwell-Sterling